xvi Chapter I Interactive Multimedia MUSICNETWORK: An Introduction / Kia Ng and Paolo Nesi. 283 Chapter XIV Online Music Distribution / Francesco Spadoni. 249 Chapter XIII Possibilities, Limitations, and the Future of Audiovisual Content Protection / Martin Schmucker. 231 Chapter XII Digital Rights Management Technologies and Standards / Jaime Delgado and Eva Rodríguez. 195 Chapter XI Web-Based Music Intelligent Tutoring Systems / Somnuk Phon-Amnuaisuk and Chee Keh Siong. 167 Chapter X How Technology Can Support Culture and Learning / David Luigi Fuschi, Bee Ong, and David Crombie. 151Ĭhapter IX Driving Sound Synthesis with a Live Audio Signal / Cornelius Poepel. 133 Chapter VIII Interactive Systems for Multimedia Opera / Michael Oliva. 111 Chapter VII Alternative Design Goals for a General Music Markup Language / Jacques Steyn. 80 Chapter VI Challenges of Designing a Markup Language for Music / Jacques Steyn. 50 Chapter V Optical Music Recognition: Architecture and Algorithms / Pierfrancesco Bellini, Ivan Bruno, and Paolo Nesi. 26 Chapter IV Optical Music Imaging: Music Document Digitisation, Recognition, Evaluation, and Restoration / Graham Jones, Bee Ong, Ivan Bruno, and Kia Ng. 12 Chapter III XML Music Notation Modelling for Multimedia: MPEG-SMR / Pierfrancesco Bellini. 1 Chapter II MPEG Symbolic Music Representation: A Solution for Multimedia Music Applications / Pierfrancesco Bellini, Paolo Nesi, and Giorgio Zoia. xviĬhapter I Interactive Multimedia MUSICNETWORK: An Introduction / Kia Ng and Paolo Nesi. The views expressed in this book are those of the authors, but not necessarily of the publisher. All work contributed to this book set is new, previously-unpublished material. ML74.I57 2008 780.285-dc22 2007023452īritish Cataloguing in Publication Data A Cataloguing in Publication record for this book is available from the British Library. Includes bibliographical references and index. It explains new methods of promoting music for entertainment, teaching, commercial and non-commercial purposes, and provides new services for those connected via PCs, mobile devices, whether sighted or print-impaired”-Provided by publisher. Summary: “This book illustrates how interactive music can be used for valorizing cultural heritage, content and archives not currently distributed due to lack of safety, suitable coding, or conversion technologies. Library of Congress Cataloging-in-Publication Data Interactive multimedia music technologies / Kia Ng & Paolo Nesi, editors. Inclusion of the names of the products or companies does not indicate a claim of ownership by IGI Global of the trademark or registered trademark. Product or company names used in this set are for identification purposes only. No part of this publication may be reproduced, stored or distributed in any form or by any means, electronic or mechanical, including photocopying, without written permission from the publisher. Chocolate Avenue, Suite 200 Hershey PA 17033 Tel: 71 Fax: 71 E-mail: Web site: and in the United Kingdom by Information Science Reference (an imprint of IGI Global) 3 Henrietta Street Covent Garden London WC2E 8LU Tel: 44 20 7240 0856 Fax: 44 20 7379 0609 Web site: Copyright © 2008 by IGI Global. Published in the United States of America by Information Science Reference (an imprint of IGI Global) 701 E. Roth Jessica Thompson Jennifer Neidig Sara Reed Angela Thor Lindsay Bergman Lisa Tosheff Yurchak Printing Inc. Interactive Multimedia Music Technologies Kia Ng University of Leeds, UK Paolo Nesi University of Florence, ItalyĪcquisitions Editor: Development Editor: Editorial Assistant: Senior Managing Editor: Managing Editor: Copy Editor: Typesetter: Cover Design: Printed at:
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